Saturday, February 22, 2014

The Hitchhiker Series by Douglas Adams

I've been away for some time. I must be honest: I've read at least five other books since the last entry, not including the five that I read for this entry. So that's ten books I've read since the last entry. A little far afield of my original resolution, but four of those books were books of critical readings of Doctor Who episodes (collected and expanded from the excellent TARDIS Eruditorum blog, along with several book-exclusive essays) and reviewing reviews just wouldn't make for interesting reading. The other was Looking for Alaska by John Green, which I read in an afternoon before I wrapped it up as a Christmas present for my brother. An excellent book, and it may warrant a review from me at some point, but for this entry I am going to proceed with the original mission statement and review the next book on my list.

However, this book was rather incorrectly treated by me as one book when it is in fact five (or maybe four or even just three - we'll get to that). The reason for this is that I have only ever owned these books in an omnibus edition. First from the Science Fiction Book Club (a copy read so many times the binding tore apart in two places) and then from Barnes & Noble's leather bound classics series. Even when I initially read these books, one at a time from the library, I treated them as one book. At that age I tended to approach all serialized media as a singular object. I still think there's some merit to that view, but I also think all approaches should be considered, including viewing each text on its own.

This is still problematic, though. The first two books are basically one story that's been split between two books, the third is adapted from a Doctor Who script that never got made, the fourth was a rush job that creates all kind of continuity problems, and the fifth creates even more continuity problems, then implicitly (although in no way explicitly) fixes both its and the fourth books problems before ending in the most cynical way it could.

Oh, shit. I forgot to tell you what I'm writing about. It's the Hitchhiker's Guide to the Galaxy series by the late, great Douglas Adams.

My original copy was missing the dust jacket and had "DON'T PANIC" written on it in white-out. Remember when writing things with white-out pens was a thing?

I read this book to death when I was fourteen. And yes, I say book, because at the time that's how I viewed it. The cover says “trilogy,” and by g-d if it calls itself a trilogy, then it must be one big story, no matter how many books it's actually split into. So I never bothered to differentiate any of the books from the others. I suspect that others don't, either. You'd be surprised how many jokes people remember from The Hitchhiker's Guide to the Galaxy that are actually from The Restaurant at the End of the Universe.

That, I suppose, is where I should begin. The first two books aren't really two books. I mean, they're published separately, but the first book just kind of ends mid action, with none of its dangling plot threads resolved. It was adapted from a radio serial also by Douglas Adams, and I believe that the serial itself roughly covers the events of both books. I have not listened to them, so I cannot be certain, but that is the impression I get. So we have a story originally told in one go (albeit serialized for radio) and then adapted and published as two novels. What I'm saying is that there are actually four books to the Hitchhiker's trilogy, not five.

As a novel, The Hitchhiker's Guide to the Restaurant at the End of the Universe is very loose and fast. Adams is less interested in telling a coherent story than he is in making constant humorous asides to the audience. That isn't to suggest that the plot and characterization isn't there, it just isn't the focus. And that's fine! It makes for fun reading most of the time, although occasionally Adams will make an aside mid action and spend entirely too many words setting up the punchline, killing whatever tension had been built previously. But all things considered, this novel deserves its classic status and is essential reading to anyone with a sense of humor or interest in science fiction.

The third second novel is where I began to break away from my fifteen-year-long treatment of the series as a singular object. Not only is there a clean break in action between Restaurant and Life, the Universe, and Everything, but I had knowledge that I did not have when I was fourteen. You see, when I was fourteen the only thing I knew about Doctor Who was that there was a reference book about it in the section at the library that had all the Star Wars and Star Trek reference books, and that the guy on the cover had a terrible fashion sense. That man was Colin Baker, and in the years since then I have become enough of a Doctor Who obsessive to know that the costume wasn't his fault, really, nor the poor scripts of his era, and that his Big Finish audio adventures do quite a lot to rescue the Sixth Doctor from his bad reputation.

Along with that knowledge comes the knowledge that Douglas Adams grew up watching William Hartnell (who had an episode with intelligent mice, as it turns out) and that he grew up to be a writer and script editor for the program. And not only that, Life, the Universe, and Everything was adapted from a script he wrote for a Doctor Who movie that was never made, to have been titled Doctor Who and the Krikkit Men. Knowing this about Douglas Adams had already recoloured my experience reading the first novel in the series, looking for little references that tie the universes of Arthur Dent and the Doctor together, and it completely shattered how I read the third second. Because Life, the Universe, and Everything just might be the best Doctor Who story that was never made. It's a damned shame that we never got to see Tom Baker run around opposing killer robot Cricket players, or flying on a ship that runs on Bistromathematics, finally to confront that age old question of the difference between pacifism and inaction. But, alas, at least we have this novel. Possibly the best of the series from the standpoint of being a novel. It balances the humor, characters, and plot while also having something to say. This is a level the series won't reach again.

Because the next book is So Long and Thanks for all the Fish. Written in a rush after several deadlines came and went, it has all the markings of a first draft by a writer who just didn't want to write it. It doesn't have a story so much as a series of events that just sort of happen to Arthur Dent. The Earth returns with no explanation, and Arthur falls in love, which is nice, I guess. There are two things that save it: the humor is still pretty strong. Not as strong as it's been, but strong enough to keep the pages turning. The second thing is the ending. If this novel exists only as a preamble to the final chapter, then it is worth it, because the final chapter might be the best thing Douglas Adams ever wrote. After wandering away from the Earth for reasons, Arthur and Fenchurch travel to find “God's Last Message to His Creation.” On the way they find a malfunctioning Marvin, near the end of his power cells. They take him with them to the message, and how that unfolds is simultaneously hilarious, heart-breaking, and comforting. I won't spoil for you what the final message is, but if there actually were a g-d and he really did leave this message, I just might find it in myself to forgive him.

The series ends with Mostly Harmless. It's funny while also being incredibly cynical, but its strongest point is the characterization. More than at any point in the series, the characters feel like people and not just comic archetypes. Hell, it even manages to pass the Bechdel test on the way. Ford Prefect finally coalesces into the character one feels he should have been the whole time: a cross between the Doctor and Hunter Thompson.

The plot is the most complicated of the series, although that is not entirely a fault. Implicit in many of the things that happen is an explanation to just what the hell was going on in So Long: all the shit that doesn't make sense in that book was probably just the Vogon-created Guide messing with time and space to bring about the events of Mostly Harmless. The book doesn't come out and say that, but it's solid enough of an explanation to make me want to treat So Long as an extended prologue to Mostly Harmless. So looked at that way, there are actually... three... books... in the Hitchhiker's trilogy. How's that for messing with your count?

I won't spoil the ending of Mostly Harmless, but it ends very finally, and later in his life Douglas Adams expressed regret at ending the series the way he did. He wrote some notes, but never finished the sixth novel before his death in 2001. This hypothetical sixth novel was finally written by Eoin Colfer in 2009, although I haven't read it. I don't feel a need to. I disagree with Adams about the ending to Mostly Harmless. Yes, it is bitter and cynical, but it is bitter and cynical in a way that is an essential lesson about the uncaring and meaningless nature of the universe. And it touches, at least in theme, on one bastion of science fiction Adams never got around to skewering: Lovecraft.

The Hitchhiker series is not as perfect as my nostalgia would have told me. I read it a bunch as a teenager, but until now hadn't revisited it. As an adult with a more refined taste, I can see all kind of criticisms that I just wouldn't have thought of when I first read it. But despite these, the series remains a classic. I recommend it to anyone with a pulse.

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And now some business. I may be changing the order of my reading, which would affect what the next book is. If we are to continue alphabetically, the next book is Watership Down by Richard Adams. However, as established by my mention of Looking for Alaska, I am a fan of John Green, and by extension his various youtube ventures. I recently became aware of his “Crash Course: Literature” series, and with the second series of that starting soon I kind of want to follow along. But that would require doing the first series first. Which would make the next entry The Great Gatsby by F. Scott Fitzgerald. (Yes, technically the first entry of that series is Romeo and Juliet, but I was just in that, and anyway my Shakespeare blog is still a thing I might do, and also plays are beyond the scope of this blog.)

I don't know which I will end up reading first. Hell, maybe I'll read both at the same time. But just be aware that I'm not necessarily going to stick to alphabetical anymore. Okay. That is all, and if you're still reading this, I thank you.